The contributions analyze the production, presentation, and consumption of visual culture defined broadly as painting, sculpture, theater, and scientific practice. By locating Goethe's position in the examination of visual culture, both established and emerging scholars analyze the degree to which visual aesthetics determined the cultural production of both the German-speaking world and the broader European context.
From a variety of theoretical perspectives, the contributors to this volume examine the interconnections between aesthetic and scientific fields of inquiry involved in Goethe's visual identity. The concept of visuality becomes a constitutive moment in a productive relationship between the verbal and visual arts with far-reaching implications for the formation of bourgeois identity, pedagogy, and culture. The essays in 'The Enlightened Eye: Goethe and Visual Culture' demonstrate the extent to which Goethe advanced this discourse in virtually all disciplines. Poets, painters, philosophers, and scientists alike debated new ways of thinking about visual culture in the "long eighteenth century".
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